10/27/2022 0 Comments Download lagu lagu perjuangan nasional![]() ![]() Culturally, Indonesia was held together primarily by its national language, Indonesian Malay, which the nationalist movement had named ‘Bahasa Indonesia’ and declared the ‘language of unity’ back in 1928, but which received its real boost during the Japanese occupation (1942-1945) when the speaking, teaching and publication of Dutch had been prohibited. Economically, it inherited an extract economy developed for colonial interests (Taufik Abdullah 2009 Schulte Nordholt 2009) and a huge debt to be repaid to the Netherlands, as stipulated by the Round Table Conference negotiations in late 1949 (Gouda and Brocades Zaalberg 2002). Politically, it inherited a Dutch-devised and imposed federal system that in mid 1950 was overturned in favour of the unitary republic long envisaged by the Indonesian nationalist movement. Administratively, Indonesia inherited a colonial state with its civil service designed for the efficient management of a colonial economy. In 1950, there was little holding the new nation together beyond goodwill. Over the next 15 years, until the coup and counter-coup of 30 September-1 October 1965 – the period that frames the research presented in the essays in this volume – Indonesia faced enormous challenges, first and foremost that of forging a sense of nationhood to outlast the euphoria of the achievement of sovereignty. Titiek Puspa played an important role in each regime's ideology of modernity, but she also articulated the disjuncture between a woman's voice and the reigning political order. The patriarchal orders used her as a symbol of proper womanhood in her role as wife and mother, but she developed an image as an independent and successful modern woman who supported her husbands and other family members. Titiek's voice and body were contested terrain in both presidential regimes they patronized and celebrated her, but also wanted to control her. However, she was not a mouthpiece of these divergent political "orders" that is, her relatively autonomous voice did not align neatly with either regime. Titiek Puspa (hereafter Titiek) cultivated a proximity to state power-to Sukarno, one of Indonesia's founding fathers, and Suharto, the "Father of Development" (Bapak Pembangunan)-that amplified her voice and enabled it to circulate more widely and freely than other female singers. ![]() This period of Indonesian history is divided politically by first president Sukarno's anti-imperialist "Old Order" (Orde Lama, 1950-1965) and second president Suharto's pro-Western "New Order" (Orde Baru, 1966-1998). Lewat lantunan irama lagu terbaik mereka, beberapa band dan penyanyi seperti Oasis, Radiohead, The Police, Bryan Adams, serta musisi berbakat yang dikenal lewat lagunya yang melegenda “wonderfull tonight” Eric Clapton berhasil mendunia.Chanteuse and composer Titiek Puspa (1937-) vocalized the tensions and contradictions of gendered modernity in Indonesia during the socially turbulent 1960s and 1970s. Selain band genre punk/grunge tersebut masih banyak musisi lainnya yang telah mewarnai industri musik lagu barat pada tahun 90an. Kesuksesan band “Nirvana” didapat lewat perjuangan hebat mereka untuk menciptakan lagu terbaik pada era 90an. Sebut saja sebuah band pencipta genre grunge yang cukup melegenda yaitu “Nirvana” yang sukses mendunia lewat album lagu terbaiknya “Nevermind” di tahun 90an. Bagaimana tidak kebanyakan musisi, baik itu dari band maupun penyanyi pada era tersebut berjuang habis-habisan agar mereka bisa menjadi musisi terkenal. Perkembangan industri musik yang mulai mendunia ini didukung oleh hadirnya berbagai band serta penyanyi berkualitas yang membuat para penikmat serta pendengar setia musik terpesona. Perkembangan lagu barat memunculkan berbagai genre musik yang kian beragam mulai dari lagu genre rock, pop, jazz, punk, sampai Rnb. Tahun 90an adalah era paling sukses bagi industri musik barat. ![]()
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